The men are accused of conspiring to blow up the Sears Tower in Chicago and wage war against the U.S., but authorities say they had no weapons, no money. CNN's Kyung Lah joins us live from. Brianna Keilar has our report. (BEGIN VIDEOTAPE) BRIANNA KEILAR, CNN CORRESPONDENT (voice-over): It's a modern- day Boston Tea Party, a scene that's played out in recent weeks from Los Angeles to Oklahoma City to Jacksonville, Florida, protests against taxes, the bailout, the $787 billion stimulus, and President Obama's budget.
The War Report | |||
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Studio album by | |||
Released | June 17, 1997 | ||
Recorded | 1995–1997 | ||
Genre |
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Length | 70:43 | ||
Label | |||
Producer |
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Capone-N-Noreaga chronology | |||
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Review scores | |
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Source | Rating |
Allmusic | [3] |
The Source | [4] |
The War Report is the debut studio album by American hip hop duo Capone-N-Noreaga (C-N-N). The album features the singles 'L.A., L.A.', 'T.O.N.Y.', 'Illegal Life' and 'Closer'. Tragedy Khadafi appears on more than half of the album's songs and served roles as both producer and executive producer. Despite its strong underground overtones, the album was a commercial success, listed on 1997's Hip Hop/R&B Top Five, and certified Gold in the US.
Considered a classic by fans and critics [1], The War Report's signature sound was distinctively underground and hardcore for its time, a trademark that garnered street credibility for the group. The unique chemistry of Noreaga's unorthodox lyrical delivery, combined with Capone's streetwise slang and Five Percenter references, established the duo as a household name within the hardcore hip hop community. Furthermore, the album created a large and devoted cult following for the group and launched the solo career of Noreaga, who subsequently went on to achieve significant mainstream success (most notably with the Neptunes-produced club anthem 'Superthug').
More importantly, The War Report is often credited with reviving East Coast and hardcore hip hop, signaling a return to realistic and gritty hardcore street aesthetics (defined by unapologetic tales of violence and drugs) and spelling an end to the surrealistic, ostentatious, and narratives of mafioso rap. [2] Beginning in the end of 1996 and throughout 1997 (during the commercial height of Puff Daddy's pop-oriented Bad Boy Records during its Arista Records years), mafioso hip-hop gradually lost its critical acclaim within the underground scene from which it originated. As it crossed over into the mainstream, the concept was becoming increasingly generic (as seen with the hip hop supergroup the Firm, which rhymed almost exclusively about the mafioso life). Upon the release of The War Report, however, Capone and Noreaga brought new life into the gangsta rap subgenre, becoming an instant underground phenomenon that foreshadowed the rise of similarly styled emcees who went on to cross into the mainstream for the remainder of the mid 1990s (i.e., Royal Flush and Mic Geronimo), into the late 1990s (i.e., DMX, and Ja Rule) and into the following decade (i.e., 50 Cent and Jadakiss).
The success of the album managed the group to make a sequel titled The War Report 2: Report the War. The album was originally scheduled to be released on June 15, 2010, almost exactly 13 years to the original, but it was pushed back a month later to July 13, 2010.[5]
# | Title | Producer(s) | Featured Artist(s) | Length |
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1 | 'Intro' | Charlemagne | 1:32 | |
2 | 'Bloody Money' | EZ Elpee | 4:33 | |
3 | 'Driver's Seat' | Nashiem Myrick & Carlos '6 July' Broady for The Hitmen | Imam T.H.U.G. & Busta Rhymes | 3:40 |
4 | 'Stick You' | Naughty Shorts | Tragedy Khadafi | 4:43 |
5 | 'Parole Violators' | Tragedy Khadafi | Havoc & Tragedy Khadafi | 2:30 |
6 | 'Iraq (See the World)' | EZ Elpee | Castro, Musaliny (From Musaliny-N-Maze), Mendosa & Troy Outlaw | 5:33 |
7 | 'Live On, Live Long' | Naughty Shorts | 4:50 | |
8 | 'Neva Die Alone' | Buckwild | Tragedy Khadafi | 3:23 |
9 | 'T.O.N.Y. (Top of New York)' | Nashiem Myrick & Carlos '6 July' Broady for The Hitmen | Tragedy Khadafi | 4:28 |
10 | 'Channel 10' | Lord Finesse | Tragedy Khadafi | 3:21 |
11 | 'Capone Phone Home' (Interlude) | 1:43 | ||
12 | 'Thug Paradise' (Many pressings of the album mistakenly list 'Stay Tuned (Interlude)' as track 12; 'Thug Paradise' appears in its place on numerous retail versions of The War Report, also on the soundtrack of the 1997 film Nothing to Lose. 'Stay Tuned' does appear on a few early pressings of the album, along with the original version of 'Closer' in place of the Sam Sneed remix.) | D-Moet (uncredited) | Tragedy Khadafi | 3:30 |
13 | 'Capone Bone' | Marley Marl | 3:37 | |
14 | 'Halfway Thugs' | Charlemagne | 3:13 | |
15 | 'L.A., L.A.' | Marley Marl, J. Force (uncredited) | Mobb Deep & Tragedy Khadafi | 4:49 |
16 | 'Capone-N-Noreaga Live' (Interlude) | 2:43 | ||
17 | 'Illegal Life' | Tragedy Khadafi, Havoc (drum programming) | Havoc | 3:49 |
18 | 'Black Gangstas' | Buckwild | Tragedy Khadafi | 2:59 |
19 | 'Closer' (Original pressings of the album had this version, while subsequent pressings included the Sam Sneed remix of 'Closer' in place of the original.) | DJ Clark Kent | Nneka | 4:04 |
20 | 'Capone Phone Home' (Outro) | 1:33 |
^Busta Rhymes' part is cut off before he starts. He only appears on the last 20 seconds of the song, ad-libbing over the hook.The songs 'Stick You,' 'Parole Violators,' 'Halfway Thugs,' and 'L.A., L.A (Kuwait Mix)' are partially edited, even though the album was released with an explicit-lyrics sticker.
Sample-clearance issues caused two tracks, 'Married to Marijuana' and 'Calm Down (Feat. Nas & Tragedy Khadafi),' to be cut from the retail version of the album. Both songs were originally on the promo version sent out for reviews but were omitted from the retail album when it hit stores. Both became popular mixtape and underground radio tracks and were released as white label 12-inch singles.
Chart (1997) | Peak position |
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US Billboard 200[6] | 21 |
US Top R&B/Hip-Hop Albums (Billboard)[7] | 4 |
Year | Song | Chart positions | |||
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US R&B | US Rap | US Dance Singles Sales | |||
1996 | 'Illegal Life' | 84 | 18 | 18 | |
'L.A., L.A.' | - | 39 | - | ||
1997 | 'T.O.N.Y. (Top of New York)' | 56 | 16 | - | |
'Closer' | 63 | 9 | - |